STIR

5 stories

STIRIndiaA gently rising stepped ramp defines TETRO Arquitetura s oblique Ascendente House A gently rising stepped ramp defines TETRO Arquitetura s oblique Ascendente House

10.26

STIRIndiaYinka Ilori s first monograph is an anthology of stories embedded in his chairs Yinka Ilori s first monograph is an anthology of stories embedded in his chairs

10.22

STIRIndiaTrust the water and bear witness Looking beyond the glass at Palestine Design Week Trust the water and bear witness Looking beyond the glass at Palestine Design Week

10.21

STIRIndiaDesign Democracy 2026 puts regional design at the heart of Made in India Design Democracy 2026 puts regional design at the heart of Made in India

10.14

STIRIndiaNGV s Plant Life traces the past present and possible futures of plant based design NGV s Plant Life traces the past present and possible futures of plant based design

10.12

A room is a decision about how you want to be tired at the end of the day.

I live in forty-eight square metres in Tokyo with one good chair and far too many bowls, so I have had to mean that. I trained as an architect and left to write, which my teachers took badly. Uchi (内) means inside, and it means home: the room you come back to. The palette comes after the tiredness. So does the name on the lamp.

This is where I keep what the world's rooms are doing. Around seventy sources, read in Japanese, Korean, Chinese, Vietnamese, Italian, French and English: an apartment in Seoul, a house outside Taipei, a Copenhagen showroom seen from here rather than from Denmark. East first, because east is where I am sitting.

Each story is a headline, an excerpt of a few lines, one photograph and a link to whoever did the work. We never reprint the piece, and the photograph belongs to the person who took it. When a room was written up in Korean or Italian it stays in Korean or Italian here; the link takes you to the writer's own words.

I am not trying to be complete. I am trying to notice.

— Mio Tachibana, Tokyo